1、1Allegory: a story or description in which the characters and events symbolize some deeper underlying meaning, and serve to spread moral teaching.Alliteration: A poetic device where the first consonant sounds or any vowel sounds in words or syllables are repeated. Allusion: A reference to a familiar
2、 literary or historical person or event, used to make an idea more easily understood. Ballad: A short poem that tells a simple story and has a repeated refrain. Ballads were originally intended to be sung. Early ballads, known as folk ballads, were passed down through generations, so their authors a
3、re often unknown. Later ballads composed by known authors are called literary ballads.Blank Verse: Loosely, any unrhymed poetry, but more generally, unrhymed iambic pentameter verse(composed of lines of five two-syllable feet with the first syllable accented, the second unaccented).Carpe Diem: A Lat
4、in term meaning “seize the day.“ This is a traditional theme of Poetry, especially lyrics. A carpe diem poem advises the reader or the person it addresses to live for today and enjoy the pleasures of the moment. Two celebrated carpe diem poems are Andrew Marvells “To His Coy Mistress“ and Robert Her
5、ricks poem beginning “Gather ye rosebuds while ye may“ Conceit: A clever and fanciful metaphor, usually expressed through elaborate and extended comparison, that presents a striking parallel between two seemingly dissimilar thingsConnotation: The impression that a word gives beyond its defined meani
6、ng.Couplet: Two lines of Poetry with the same rhyme and Meter, often expressing a complete and self-contained thought.Denotation: The definition of a word, apart from the impressions or feelings it creates in the reader.Dramatic MonologueEpic: A long narrative poem about the adventures of a hero of
7、great historic or legendary importance. The setting is vast and the action is often given cosmic significance through the intervention of supernatural forces such as gods, angels, or demons. Epics are typically written in a classical style of grand simplicity with elaborate Metaphors and allusions t
8、hat enhance the symbolic importance of a heros adventures.Foot: The smallest unit of rhythm in a line of Poetry. In English-language poetry, a foot is typically one accented syllable combined with one or two unaccented syllables. There are many different types of feet. When the accent is on the seco
9、nd syllable of a two syllable word (con-tort), the foot is an “iamb“; the reverse accentual pattern (tor-ture) is a “trochee.“ Other feet that commonly occur in poetry in English are “anapest“, two unaccented syllables 2followed by an accented syllable as in in-ter-cept, and “dactyl“, an accented sy
10、llable followed by two unaccented syllables as in su-i-cide.Grub Street Writers: Hack writers in the Eighteenth Century England. Many of them lived on Grub Street. They took writing as a profession.Heroic Couplet: A rhyming couplet written in iambic pentameter (a Verse with five iambic feet).Humanis
11、m: A philosophy that places faith in the dignity of humankind and rejects the medieval perception of the individual as a weak, fallen creature. “Humanists“ typically believe in the perfectibility of human nature and view reason and education as the means to that end.Irony: In literary criticism, the
12、 effect of language in which the intended meaning is the opposite of what is stated.Metaphysical Poetry: The body of poetry produced by a group of seventeenth-century English writers called the “Metaphysical Poets.“ The group includes John Donne and Andrew Marvell. The Metaphysical Poets made use of
13、 everyday speech, intellectual analysis, and unique imagery. They aimed to portray the ordinary conflicts and contradictions of life. Their poems often took the form of an argument, and many of them emphasize physical and religious love as well as the fleeting nature of life. Elaborate conceits are
14、typical in metaphysical poetry.Meter: In literary criticism, the repetition of sound patterns that creates a rhythm in Poetry. The patterns are based on the number of syllables and the presence and absence of accents. The unit of rhythm in a line is called a Foot. Types of meter are classified accor
15、ding to the number of feet in a line.These are the standard English lines: Monometer, one foot; Dimeter, two feet; Trimeter, three feet; Tetrameter, four feet; Pentameter, five feet; Hexameter, six feet (also called the Alexandrine); Heptameter, seven feet (also called the “Fourteener“ when the feet
16、 are iambic). The most common English meter is the iambic pentameter, in which each line contains ten syllables, or five iambic feet, which individually are composed of an unstressed syllable followed by an accented syllable.Oedipus Complex: A sons amorous obsession with his mother. The phrase is de
17、rived from the story of the ancient Theban hero Oedipus, who unknowingly killed his father and married his mother.Oxymoron: A phrase combining two contradictory terms. Oxymorons may be intentional or unintentional.Paradox: A statement that appears illogical or contradictory at first, but may actuall
18、y point to an underlying truth.Poetic License: Distortions of fact and literary convention made by a writer not always a poet for the sake of the effect gained. Poetic license is closely related to the concept of “artistic freedom.“Renaissance: The period in European history that marked the end of t
19、he Middle Ages. It began in Italy in the late fourteenth century. In broad terms, it is usually seen as spanning the fourteenth, fifteenth, and sixteenth centuries, although it did not reach Great Britain, for example, until the 1480s or so. The Renaissance saw an awakening in almost every sphere of
20、 human activity, especially science, philosophy, and the arts. The period is best defined by the emergence of a general philosophy that emphasized the importance of the intellect, the individual, and world affairs. It contrasts strongly with the medieval worldview, characterized by the dominant conc
21、erns of faith, the social collective, and spiritual salvation.3Rhyme: When used as a noun in literary criticism, this term generally refers to a poem in which words sound identical or very similar and appear in parallel positions in two or more lines. Rhymes are classified into different types accor
22、ding to where they fall in a line or stanza or according to the degree of similarity they exhibit in their spellings and sounds. Some major types of rhyme are “masculine“ rhyme, “feminine“ rhyme, and “triple“ rhyme. In a masculine rhyme, the rhyming sound falls in a single accented syllable, as with
23、 “heat“ and “eat.“ Feminine rhyme is a rhyme of two syllables, one stressed and one unstressed, as with “merry“ and “tarry.“ Triple rhyme matches the sound of the accented syllable and the two unaccented syllables that follow: “narrative“ and “declarative.“Romance: is a tale in verse, embodying the
24、life and adventures of knights. Romance was characteristic of the early feudal age, as it reflected the spirit of chivalry, i. e., the quality and ideal of knightly conduct. The content of romance was usually about love, chivalry, and religion. It generally concerns knights and involves a large amou
25、nt of fighting as well as a number of miscellaneous adventures; Scansion: The analysis or “scanning“ of a poem to determine its Meter and often its rhyme scheme. The most common system of scansion uses accents (slanted lines drawn above syllables) to show stressed syllables, breves (curved lines dra
26、wn above syllables) to show unstressed syllables, and vertical lines to separate each Foot. In the first line of John Keatss Endymion,“A thing of beauty is a joy forever:“the word “thing,“ the first syllable of “beauty,“ the word “joy,“ and the second syllable of “forever“ are stressed, while the wo
27、rds “A“ and “of,“ the second syllable of “beauty,“ the word “a,“ and the first and third syllables of “forever“ are unstressed. In the second line:“Its loveliness increases; it will never“a pair of vertical lines separate the foot ending with “increases“ and the one beginning with “it.“ Soliloquy: A
28、 monologue in a drama used to give the audience information and to develop the speakers character. It is typically a projection of the speakers innermost thoughts. Usually delivered while the speaker is alone on stage, a soliloquy is intended to present an illusion of unspoken reflection.Sonnet: A f
29、ourteen-line poem, usually composed in iambic pentameter, employing one of several rhyme schemes. There are three major types of sonnets, upon which all other variations of the form are based: the “Petrarchan“ or “Italian“ sonnet, the “Shakespearean“ or “English“ sonnet, and the “Spenserian“ sonnet.
30、 Petrarchan sonnet: A Petrarchan sonnet consists of an octave rhymed abbaabba and a “sestet“ rhymed either cdecde, cdccdc, or cdedce. The octave poses a question or problem, relates a narrative, or puts forth a proposition; the sestet presents a solution to the problem, comments upon the narrative,
31、or applies the proposition put forth in the octave. Shakespearean sonnet: a Shakespearean sonnet is divided into three quatrains and a couplet rhymed abab cdcd efef gg. The couplet provides an epigrammatic comment on the narrative or problem put forth in the quatrains. The Spenserian sonnet uses thr
32、ee quatrains and a couplet like the Shakespearean, but links their three rhyme schemes in this way: abab bcbc cdcd ee. The Spenserian sonnet develops its theme in 4two parts like the Petrarchan, its final six lines resolving a problem, analyzing a narrative, or applying a proposition put forth in it
33、s first eight lines.Theme: The main point of a work of literature. The term is used interchangeably with thesis.Tragic Flaw: In a tragedy, the quality within the hero or heroine which leads to his or her downfall. Examples of the tragic flaw include Othellos jealousy and Hamlets indecisiveness, alth
34、ough most great tragedies defy such simple interpretation.Unities: (Also known as Three Unities.) Strict rules of dramatic structure, formulated by Italian and French critics of the Renaissance and based loosely on the principles of drama discussed by Aristotle in his Poetics. Foremost among these r
35、ules were the three unities of action, time, and place that compelled a dramatist to: (1) construct a single plot with a beginning, middle, and end that details the causal relationships of action and character; (2) restrict the action to the events of a single day; and (3) limit the scene to a singl
36、e place or city. The unities were observed faithfully by continental European writers until the Romantic Age, but they were never regularly observed in English drama. Modern dramatists are typically more concerned with a unity of impression or emotional effect than with any of the classical unities.
