1、 朱仙镇论文：朱仙镇木版年画艺术语言研究【中文摘要】朱仙镇木版年画是中国木版年画的“鼻祖”,源于北宋。它是根植于百姓生活的一种艺术形态,通过独特的艺术语言展示了民间大众生活的各个方面,传递着他们的内在情感和期盼。悠久的历史和地域文化,使其在题材内容、文化内涵、工艺特色和艺术语言方面都形成了不同于其他年画作品的特色,具有独特的精神内涵和装饰意味,是中国民间美术的重要组成部分。论文在分析朱仙镇木版年画的发展演变、题材内容和工艺特色的基础上,重点研究朱仙镇木版年画艺术语言。主旨在于以艺术审美与民间艺术的精神内涵为根本,以具体的年画作品为依据,对朱仙镇木版年画的艺术语言展开深入系统的研究,阐释朱仙镇木
2、版年画更深层次的形式美感和精神内涵,从而引发对朱仙镇木版年画艺术语言的艺术价值和意义的思考。全文共分四个章节。第一章结合历史资料和参考文献,通过实地考察和文献研究的方法,追溯了朱仙镇木版年画的起源。然后按历史路线,分析朱仙镇木版年画在艺术语言上,从精致贵气到古拙朴实的演变过程。第二章通过实地考察、访问和观察的方法,分析了朱仙镇木版年画的题材内容和工艺特色。题材上,朱仙镇木版年画借助中国传统的吉祥图案和特定的吉祥符号,传达吉祥喜庆的气氛和人们对美好生活的期盼与向往,以及开封人民纯朴、坚韧、倔强、豪放的精神风貌。年画的艺术语言和其工艺密切相关,朱仙镇木版年画从刻版、炮制颜料到水印套色的整个工艺过程
3、,都保持着最原始的特色,不加渲染和手绘。原始古拙的工艺特色使朱仙镇木版年画在艺术语言上形成强烈的装饰性。第三章是论文的重点章节,结合色彩学、形式学、图像学、民俗学等学科的知识,以具体的年画图片为依据,从色彩、线条、造型和构图四个方面对朱仙镇木版年画的艺术语言进行深入系统的分析和研究。在传统的工艺的基础上,浑厚艳丽的色彩、粗狂简练的线条、夸张幽默的造型和饱满紧凑、均衡对称的构图,共同构建朱仙镇木版年画艺术语言上强烈的形式感和装饰性,将一切外在形式强有力的统一到内在感情的直接表达上,形成一种强烈的视觉表现效果,传达其丰富的精神内涵。论文打破以往对朱仙镇木版年画固有的认识,让人们从一个崭新的视角认识
4、朱仙镇木版年画艺术语言的魅力。第四章结合朱仙镇木版年画题材内容、工艺特色和艺术语言的分析研究,总结了朱仙镇木版年画在色彩、线条、造型与构图上的语言特色,即具有极强的装饰性和形式感,并注重精神内涵的传达。在此基础上,探讨朱仙镇木版年画艺术语言对我国传统绘画、版画、设计和当代艺术的价值和意义。整篇论文的重点和创新点在于结合多种学科的知识和年画作品,对朱仙镇木版年画的色彩语言、线条语言、造型语言和构图语言,系统深入的分析研究,阐释朱仙镇木版年画艺术语言所蕴含的形式感、装饰性和精神内涵。希望以此打破以往对朱仙镇木版年画的固有认识,让人们从一个新的角度欣赏朱仙镇木版年画,理解其作为一种民间美术的独特价值
5、与意义。【英文摘要】Zhuxian Town Woodcut New Year pictures originated in the Northern Song Dynasty, and it is the originator of the Chinese woodblock New Year pictures, and is an important part of folk art rooting in ordinary peoples life. The pictures show all aspects of peoples life, and they convey people
6、emotion and expectation by unique way. Because of the long history and the local culture, Zhuxian town Woodcut New Year pictures are different from other new year paintings, just as the content, technology and art of language features.On the basic of analyzing the Zhuxian Town woodcut New Year pictu
7、res development evolution and subject material, the paper focused on studying artistic language of the pictures. The paper primary intention lies in take art esthetic and the folk art energetic connotation as the basis, and takes the concrete lunar New Year painting work as the basis. From craft, co
8、lor, line, composition and modelling five aspects, the author applied history, literature, sociology, chromatics, form study and image study knowledge, thoroughly and systematically studied Zhuxian Town woodcut New Year Pictures artistic language, including form feeling, cosmetic and intrinsic spiri
9、t. And the paper also had in-depth study about the the evolution of Zhuxian Town Woodcut New Year Pictures, theme categories and language Arts. The paper has four chapters.The first chapter studied historical data and reference literature, and through field visiting and literature researching method
10、s, traced origin of the Zhuxian Town Woodcut New Year Pictures. According to the historical route, the author analyzed the Zhuxian Town Woodcut New Year Pictures in the Northern Song Dynasty, the Southern Song Dynasty, the Xi Xia Dynasty, the Jin Dynaty, Yuan Dynasty, Ming Dynasty, Qing Dynasty and
11、Republic of China during 1912-1949 historical period evolution and development.The second chapter analyzed the Zhuxian Town woodcut New Year pictures, about the subject content and form of classification by the way of field visits, interviews and observation. The pictures contains The moral of wealt
12、h and peoples expectations of a better life by Chinese traditional auspicious patterns and auspicious symbols specific.Different subjects have different expression. Door-God and God yards are the most prominent board pictures of two forms, the paper through analysis and comparison of methods, Zhuxia
13、nzhen woodcut New Year pictures are classified, and provide examples of their interpretation Pictures of variousformsand types of features.The third chapter is the key sections of the paper. At first, the author analyzed the definition of the artistic language, and thoroughly and systematically stud
14、ied Zhuxian Town woodcut New Year Pictures artistic language using knowledge of chromatics, form study, image study and ethnology. In the research, the author took the concrete New Year Picture as the basis, analyzed the Characteristic of the from craft, color, line, modelling and composition. Tradi
15、tional craft, vigorous gorgeous color, thick crazy succinct line, exaggerating humorous modelling and full compact, balanced symmetrical composition, constructs in together the Zhuxian Town woodcut New Year Pictures art language the intense form feeling and the cosmetic. The Zhuxian Town woodcut New
16、 Year Pictures in all external form powerful unification intrinsic sentiments direct expression, forms one kind of intense visual performance effect, transmits its rich energetic connotation. The paper broke formerly inherent understanding of the Zhuxian Town woodcut New Year Pictures, make the chan
17、ce of knowing the Zhuxian Town woodcut New Year pictures the arts from and its charm from new perspective.The fourth chapter from artistic and reality angle embarking, have analyzed the Zhuxian Town New Year Pictures artistic value and the practical significance. This chapter has two sections. The f
18、irst section studied the value of the Zhuxian Town New Year Pictures to the Chinese tradition drawing and the print creation significance, and influences on contemporary art and design influence and value desk study, particularly decorative art. The second section discussed practical significance of
19、 the papers from social, historical, the national character and the economical.The paper key point and the innovation spot lied in union many kinds of disciplines the knowledge, from the craft, the color, the line, the composition and the modelling aspects, and carried on the system thorough analysi
20、s to the Zhuxian Town woodcut New Year pictures artistic language. The author explained the form feeling, cosmetic and energetic connotation of the paperartistic language. The author hoped that breaks the out view of the Zhuxian Town woodcut New Year Pictures, and hope people have the chance to appr
21、eciate the papers from a new angle, at the same time, people would understand its unique value and significance as a folk.【关键词】朱仙镇 木版年画 艺术语言【英文关键词】The Zhuxian Town woodcut New Year pictures Language Arts【目录】朱仙镇木版年画艺术语言研究 中文摘要 3-5 Abstract 5-6 目录 7-9 前言 9-12 (一) 选题的目的和意义 9 (二) 研究现状及水平 9-10 (三) 研究的思路和
22、方法 10-12 一、朱仙镇木版年画的发展演变 12-18 (一) 朱仙镇木版年画的起源 12-13 (二) 朱仙镇木版年画的发展演变 13-16 (三) 朱仙镇木版年画的现状 16-18 二、朱仙镇木版年画的题材内容与工艺特色 18-29 (一) 朱仙镇木版年画题材内容及文化内涵 18-24 1. 朱仙镇木版年画的题材内容与分类 18-23 2. 朱仙镇木版年画的文化内涵 23-24 (三) 朱仙镇木版年画的工艺特色 24-29 三、朱仙镇木版年画的艺术语言 29-44 (一) 朱仙镇木版年画的色彩语言 29-34 1. 色彩的文化内涵 29-30 2. 原色的运用 30-31 3. 补色的
23、运用 31-33 4. 用色彩表现人物性格 33-34 (二) 朱仙镇木版年画的线条语言 34-37 1. 线条的书法韵味 34-35 2. 线条的表现力 35-36 3. 线条的装饰性 36-37 (三) 朱仙镇木版年画的造型语言 37-40 1. 夸张变形提炼概括 37-38 2. 不求比例协调 38-39 3. 借鉴戏剧的造型手法 39-40 (四) 朱仙镇木版年画的构图语言 40-44 1. 饱满紧凑 40-41 2. 均衡对称 41-44 四、朱仙镇木版年画艺术语言的特色和价值 44-47 结语 47-48 注释 48-49 参考文献 49-51 读研期间发表论文 51-52 致谢 52-53
