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试论_子夜_的节奏美(The rhythmic beauty of midnight).doc

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1、试论_子夜_的节奏美(The rhythmic beauty of midnight)T: Im sorry, but Im sorry, but Im not giving up. He just cherishes it more than the other person. Volume 1, volume 1VO19NOIJournal of education college, sichuanJou mouth naiofno. This b old RNS plus huan wan du creates a view of nCoue youIn November 1099,19

2、99 all Ov.The rhythmic beauty of midnightDu ChunhaiAbstract: the artistic rhythm of “midnight“ is mainly through the arrangement of plot structure, characters description and scene descriptionThe aesthetic characteristics of the function are: the ups and downs, the proper relaxation, and the thick a

3、nd thin.Key words: MAO dun; Midnight; Rhythm beautyGenerally speaking, there are two important relationships in the formation of the rhythm: first, the time relationship, the movement process; The first is the relationship of force, the strong and weakChange. The rhythm is formed by combining the st

4、rong and weak changes in the movement regularly. Guo moruo thought: “originallyThere is no rhythm in the universe. “The melody of music, the line of painting, color and other visible and invisible art formThere is a rhythm of art. The famous American aesthetician liu daomao in the qing dynasty belie

5、ved that “the most important rhythm of the article is,There is a loud noise in the orchestra. “Here, liu discusses the need for a music rhythm. ContemporaryZhu guangqian, an aesthetician, is more specific: “I read the comrade yao xueyangs“ li zicheng “, especially in his militaryThe tension is inter

6、spersed with the easy and comfortable matching of the emperors life at the end of the Ming dynasty. It is not only the counterfoil but also the undulating rhythm, otherwise it will beIts going to be flat. 2 is here, and zhu guangqian concretely delineates the artistic rhythm of the novel “li zicheng

7、“Throughout the year. This artistic rhythm also exists in MAO duns novel midnight, which is not to be ignoredThe medium of communication, which allows readers to indulge in the aesthetic pleasure of rhythmic beauty, also allows readers to enjoy the aesthetic pleasure of the authorRich and profound t

8、houghts and feelings have a strong resonance and identification. “Midnight“ is MAO duns love of playing “a white city and red countryside symphony,“ the theme of the pavilion is “big rules.The description of Chinese social phenomenon, 41, reply to the trot and bourgeoisie scholar with the expression

9、 of image: China has not gone to capitalist developmentThe road, under the oppression of imperialist, feudalistic and bureaucratic comprador bourgeoisie, was more semi-colonial and semi-colonial. 5 jIts main theme is the contradiction between wu sun - fu, the national industrial capitalist, and zhao

10、 botao, the financial capitalist, in the bond marketThe rural riots, labor conflicts, and the contradictions among the industrial capitalists of the nation were accompanied by a profound revelation of the Chinese society in the 1930sThere is a contradiction between the depth of thought, the capacity

11、 of society and the unique era of the early 1930sArtistic rhythm.As a social analysis novel, midnight is mainly reflected in the Chinese metropolis of Shanghai from may to July 1930In the story. The background was complex. The fledgling Chinese national industry was hit hard by the European economic

12、 crisis.National industry)The collapse of the family, the sharp labor conflict, the surge of workers strike and the surge of peasant uprisings. More importantIt was the chaos of Chiang feng yans warlord that broke out in 1930. It caused severe disasters to the rural economy and greatly damaged the d

13、evelopment of the national industry and commerce.The situation changes in the Shanghai government bond market. The novel “midnight“ is to put its main melody in the context of such timesTo play. The novel focuses on wu sun - fu, a national industrial capitalist, who is the only one in the process of

14、 revitalizing the national industryCheng.In order to revive the national industry, wu sun-fu had to fight on three lines of fire, and he was also dealing with the rhythmic beauty of “midnight“ from the public debt marketThe industrial contradictions among the industrial manufacturers and the peasant

15、 uprisings of his “double bridge kingdom“. These three aspects of rain or shine circle are missingIt will make his national industrys ambitions or implicit or explicit, strong or weak, or undulating, and these changes in his careerHis emotions were either happy or sad, or tight or loose, or high or

16、depressed, and the changes of the central army and the northwest army were even more affecting himThe mood of the bond market fluctuates with the changes in the market. The mood swings and changesThe art of the novel is formed by the harmonious unity of craftsmanship and ingenious plot arrangementPl

17、ay, make the works reflect the sharp rhythm of beauty.“The book is conceived,“ MAO dun said in “the book of midnight.“ We read this novelIn the sense of artistic sensibility, in order to pursue the rhythm of the novel, MAO dun applied more thought to the artistic rhythm of the novelSurface.First of

18、all, in the arrangement of the plot structure, MAO dun adheres to the artistic principle of undulating and stirring, the combination of movement and movement, and the artistic principle of relaxation and combinationWe have created a distinct and varied aesthetic rhythm. Yao xueyi, a famous contempor

19、ary writer, said: “from an aesthetic point of view, tightZhang then wants to change, to alleviate the brush ink, which is to write the scenery of the temple in leisure, so that the article has a levelAnd the rhythm. “61 this is how the author arranges the plots and strives for the artistic beauty of

20、 movement and movementThe plot arrangement of the two chapters is very particular about the movement and the contrast. This chapter mainly borrows wu fu for wu Lao taiye to do the funeral machineIntroduce the main characters and their relationships in the novel. At the beginning, the door of wu gong

21、guan was painted because of the sudden death of wu Lao taiyeThe sad atmosphere, then wrote as the hall of the hall, the grand style of luxury, the roar of the people, lively and extraordinary, full of “pillars.The sound waves of gold, silver, flowers, and a few dollars can be heard in the intelligen

22、ce of public bond speculation and warlord warfareThe news is a vague reflection of the plight of the national industry and the status of the imperialist financial capital. Before and afterThe different atmosphere formed a kind of bright contrast, indicating that the weathering of the feudal corpse o

23、f wu Lao taiye was not produced in the metropolis of EuropeWhats the impact? After a lively and lively scene, it also lowered the tone, and wrote about the meeting between the former lovers and the old loversA touch of sadness. In order not to let the sadness of the old lovers leave too many shadows

24、 in the hearts of the people, the author arranges for the formerThe other characters who came to mourn were met to make the mood of the novel gradually normal. Then came the bond markets rise and fallEveryone is in a tight mood. After the tension, the author arranges the “red head match“ zhou zhongw

25、eis ridiculous performance, the peoples mood isRelax. While everyone was making fun of the arrival of the socialite xu manly, du was in a hurry to consult wu sun - fuThe three giants of the hexagonal pavilion are plotting a joint “long“ bond market, with the big three talking ten pointsMeaning, laug

26、hter bursts. In order to control the rhythm, the author inserted into the literature of the bourgeois literati fan blog, Lin peishan and others to make the novelSlow down. When he found wu sun - fu, he found wu sun - fu frowning in his studyWorried and anxious about the peasant uprising in shuangqia

27、o and the dangerous telegram in the future. Then, in the news that the factory workers went on strike,Wu sun - fu was on pins and needles at this time, and the pace of the novel was very tense. When wu was in a bad mood, he talked to him about joint workHe and du burst out laughing together, and the

28、 pace of the novel relaxed againNow,The plot of “midnight“ does show the rhythmic beauty of movement, sadness, and happiness.From the development of midnights plot (chapters 4 to 16), watch its rhythm change. The fourth chapter of the novel still follows the storyThe end part, the end pen in the rur

29、al struggle aspect, the demonstration of the two-bridge town peasant uprising to wu sun fus revitalization of the national industry foundation “double bridge kingdom“The dramatic movement can be seen as the transition from the beginning to the development of the plot. The fifth chapter focuses on th

30、e industry, wu sunFu, wang and fu, sun ji, du zhuzhai and others jointly established the yi-china trust company, which became the economic basis of wu sun fus revitalization of the national industryDevelopment. In order to ease the labor conflicts, wu sun - fu took the bold and obstinate, dark and d

31、aring tu wei-yue, and the labor contradiction eased somewhatThe step shows wu sun - fus determination and grand spirit, which is the first wave that wu sun - fu appears in the process of developing national industryPeak. In order to see the internal fluctuations and avoid flat flat tablets, the sixt

32、h chapter is not very close to the theme of the novelWu sun - fus social relations and his family life have conceived a “new Confucian foreign history map“ and sketched a group of fundsThe development of the story plot has fallen to the lowest point. And chapter seven, the author of the book, the ti

33、tle of the book, back to the book of the ninth volumeVOLgNO. 1Journal of education college, sichuanJourn, sun RNS and huan moon du in the state of ofno. Jams and nColl6 deep and remoteIn November 1999,The OV, 1999Central axis, wu zhao on the bond market, write “bull“ wu zhao joint do win, also revea

34、led that the contradiction between Wu Sun just and zhu Yin qiu, push the development of the story again to crest, gradually heated. The author discovered that the reader could smell the faint powderWhen it smells, he is deliberately trying to focus on the topic, aiming at the “earth dials“ that esca

35、pe from the countryside to the metropolis and speculate on public debtThe spider, feng yunqing, turned out to be the victim of a “defensive alliance“ formed by wu, du and zhao, who would not hesitate to make a fortuneHis daughter, feng mei qing, gave zhao bo tao a gift and she lost his wife. Through

36、 the master of the land of feng yunqingThe understanding of the bold and vicious character, we have gained a moment of relief in this trough of the trough, which is the eighth of the novelChapter. The ninth chapter of the novel still does not directly write wu zhaos struggle, but writes bourgeois ec

37、onomist li yuting to alleviate wuZhao is in the treatment of chu Yin qius “dry cocoon“ the incident of the fight for wu, thus let the reader know that zhao loves to play with womens decayingThe state of depravity. The plot of the novel still lingers in the trough, setting the stage for the plot. ten

38、thThe chapter describes wu zhaos second major duel in the bond market, and wu zhaos struggle has reached the level of tension and the plot of the novelLift the crest. After all, Mr. MAO dun was a master, and he did not want to conflict too much, which hurt the harmonious rhythm of the novel, and arr

39、anged the eleventh chapter of the novelWhen he was nervous, he added his spare pen and ink, and then he went back to chao botaos moral depravation. He was with liu yuying and xu manLi and feng have a sexual relationship. They spend all their time in the private rooms and dig into all kinds of women,

40、 while liu yu ying is between wu and zhaoAs a spy, the already tense atmosphere is tempered and the plot reappears in the valley. In chapter 12 of the novel, we feel once again wu zhaoContradictions are increasingly irreconcilable. This chapter directly describes wu zhaos third big duel in the bond

41、market, and the two sides make a ploy, Vietnam VietnamThe fierce. Wu sun fu, in particular, is even more difficult. On the one hand, zhao botao has imposed an economic blockade on him, capital turnover is not good, on the other handThe debt business is sinking deeper and deeper. In order to deal wit

42、h the economic embargo imposed by Mr Zhao, he has had to lay off workers, cut wages and work longerTime, labor conflict sharp, the final cost 9 niu 2, the public debt business wont lose the outcome, wu zhao contradiction day by daySharp and intense, the novel plots to the peak. With the sharp and in

43、tense of wu zhaos contradiction, the plot of the novel is in chapters 13 to 10The six chapters quickly culminate.To sum up, it is not difficult to understand that the development of the novels scattered plots has gone through four or four volts, of which five, seven,The four peaks of the structure a

44、re in chapter ten and twelve, and the trough of six, eight, nine and eleven is in the structure of the trough, which is the wave type development and the spiralRise until the climax occurs. And the peaks and valleys formed a clear contrast, the rhythmic rhythm of zhang chi, very harmonious and unifo

45、rmIt is said that this kind of plot arrangement can produce the most ups and downs, suspense, and intriguing artistic effect.Secondly, the author is very aware of the rich inner world of the excavations, and the complex contradictions of the characters are written with a very high level and rhythm.I

46、n the description of the main characters, the author often expresses his inner world through the change of the portrait and the change of the natural environmentThe inner change of wu sun - fu, the hero of wu sun - fu, is very rhythmic: a moment of joy, a moment of anger; Its easy to be confident an

47、d nervousAfraid of it. When he was busy with the funeral for the master of wu, he came in to report the strike at the factoryChanged, and froze there, and did not speak; The purple on his face, one by one, came out of the air, and after that, he jumped up sharplyTo roar like a mad tiger. “71 the por

48、trait depicts the fear of the moment; when duzhu comes inAfter talking to him about zhao botaos joint “long“ bond business and knowing the secret of winning, “wu sun - fu and tu zhu-zhaiQi laughed. Both eyes were shining with excitement. “The portrait of 8 gives him the light and excitement of the m

49、oment.A sense of triumph temporarily dissipated his nervousness. This tension is very rhythmic. Wu sun - fu was capriciousHis mind is often accompanied by rain and weather to set off his cheerful mood, or to set off his violent nerves with thunder and lightning. Such asThe seventh chapter of the novel, written by wu sun - fu, was worried about his first attempt at failure. whenWhen dus entrance came in, the natural scene changed, “a flash of lightning flashed through the window, followed by a roar of thunderThe walls in the study shook. The gallopi

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